- About Przyborski Productions
- Show Reels
- Misc Videos
- Introduction of 24P (from 2002)
- Americana
- Images from a Summer Carnival
- River Rafting
- Scenes from a County Fair
- America Lost
- Moments@24fps (1999)
- Behind-the-Scenes Prop38 (2000)
- 1991 Pittsburgh Penguins
- Barth Bartholomae (1997)
- Behind-the-Scenes Pagetime (1998)
- Frontier Telephone (2000)
- Time Capsule: GNC 1993-1996
- Glenn
- Jimmy D
- Map
- Contact Info
- Scrapbook
CLICK HERE TO PLAY JOHN’S REEL
My friend, director/cinematographer John Pytka recently passed away. It happened shortly after his 82nd birthday.
For years, John and I would get together for lunch every month or so. We’d share stories about film production in the 70’s through 90’s. Back then, John & his older brother Joe, were Pytka Productions, one of the country’s top spot production companies. John directed & photographed network commercials for Alamo Car Rental, Gallo Wine, Budweiser, & many more. He was often used by San Francisco’s Hal Riney & Partners for iconic ad campaigns, including Ronald Reagan’s “Morning in America”.
John’s reel from the days of 35mm film, showcases a different style of production than what’s en vogue today. It’s well paced, beautiful photographic images. Many of the scenes incorporate slow-motion that creates a bigger than life feel to the action. I describe them as “moving stills”. This contrasts with today’s fast cuts, punchy graphics & rapid camera moves.
John spent much of his retirement with his wife, Jennifer on their farm North of Pittsburgh, Pennsylvania. We’ll all miss him.
SmithFoods of Orrville, Ohio is a family owned company, founded in 1909. They supply premium dairy and other food products throughout Ohio, Indiana and Missouri.
The Innis Maggiore Agency of Canton, OH chose Przyborski Productions to produce SmithFoods’ latest TV campaign. The concept called for casting 5 children and 5 adults who could be those same kids, only now in their 40’s.
Glenn Przyborski directed and photographed the commercial in 4K digital. Props and wardrobe stylists selected kid’s clothes and table props that were popular in the mid-to-late 80’s. Back then, all TV was standard definition, so we rendered the opening sequence in the 4 x 3 ratio of older TV sets. After several visual tests, we decided not to alter the color or contrast of the opening sequence.
The commercial runs throughout Ohio and selected portions of the Mid-West.
I live in the City of Pittsburgh. Our company is in the city. Most of our clients and ad agencies are located in cities across the state. It’s easy to forget that Pennsylvania is mostly rural farm country.
Once a year, my wife Carol and I travel an hour and a half north of Pittsburgh to Meadville, Pennsylvania. It’s the annual site of the Crawford County Fair, the largest agricultural and livestock exhibition in the state. For an entire week, kids and adults from all over Northwest Pennsylvania show off the best looking animals they’ve raised. 4H members and others take pride in their sheep, cattle, pigs, horses, goats, ducks and chicken. Every exhibitor hopes to win a prize and the bragging rights to having raised a “best of show” animal at the Crawford County Fair.
I call this video “Scenes from a Pennsylvania County Fair” because every week in the summer, scenes like these repeat themselves in rural towns across the state and throughout the country. It’s was a hot, sticky 92 degrees at the fair but everybody enjoyed walking the fairgrounds, eating junk food and catching up with their old friends.
This video is a compilation of 1080P footage I shot in 2008 and 2011. It’s a salute to the hard working people we sometimes take for granted…
Excela Health wanted the region to be aware of the many accolades they’ve received from providing excellent healthcare. For their new TV campaign, Tom Chakurda, Excela’s Chief Marketing & Communications Officer, decided to use black & white for the medical procedures, combined with color for the various accolades.
Director-cinematographer, Glenn Przyborski had the challenge of shooting every scene during an actual medical procedure. There were no actors, rehearsed action or retakes. All the featured on-camera talent are the real doctors, nurses and hospital personnel.
Here’s a 4 minute “mini time capsule” of GNC’s early TV advertising. General Nutrition Centers had an amazing period of growth and profitability in the early 90’s. During this time, TV Advertising helped GNC realize it’s first quarterly profit as it went public for the second time.
From ’93 through ’96, Przyborski Productions produced most of GNC’s network TV spots. We introduced their “Gold Card” and many product lines that are still in stores today.
All the commercials were filmed in 35mm, then transferred and edited on 1″ videotape. By the end of 1993, we were editing on D2 composite digital. (In the 90’s, everything was standard definition.)
Most of these old commercials are dated and a little “corny.” Saturday Night Live even did a comedic parody on GNC’s “Colon Cleanser”, titled, “Colon Blow.” Thirty years ago, sophisticated computer graphics were in their infancy. The stock music GNC used also dates the ads. The commercials in this video were selected from several GNC campaigns.
Greg Yost, creative director of Lazor-Yost Marketing & Design, has passed away.
I first met Greg in the early 90’s. He was creative director of “The Kaiser Group”. Greg was the first agency art director I encountered that was sure computers would take over all mechanical aspects of layout & design in advertising. We both owned early Macintosh systems, and once a month we’d get together to swap 3.5” floppy disks of programs we either bought or borrowed.
The first project I directed and photographed for Greg was for Sheetz. Greg did much of the early creative marketing concepts and in-store signage for this family owned, Altoona based company. They were trying hard to be more than a group of “7-11 type” convenience stores. Greg created the advertising that introduced Sheetz Coffee, “MTO” food items, Sheetz Hot Dogs, “Sheetza Pizza”, “IT” Cola, “Jacks” cigarettes and Sheetz’s own brand of gasoline. When you pull into a Sheetz for coffee, food or gas… remember Greg Yost.
I also filmed many of Greg’s creative and sometimes crazy TV campaigns for Hoss’s Restaurants, HealthSouth Rehab Centers, Fruth Drug Stores, Unimart, CEI Cable & Internet and Atlantic Luggage. The projects always had limited budgets, but we always had fun shooting Greg’s concepts.
I last spoke with Greg in May and he never mentioned that he was sick and undergoing treatment for cancer. We talked about how the ad business had changed over the past couple decades and that today we’d never get away with what we used to do… He sounded positive, upbeat and directly involved in the marketing efforts of his clients.
As a remembrance, here’s a few of Greg Yost’s favorite TV projects from 1991 through 2009…RIP my friend.
All across the country, traveling carnivals setup shop outside hundreds of small towns and cities. Within a day or so, workers transform an open field on the outskirts of town, into a midway with rides, games and lots of junk food. Where else can you enjoy chocolate funnel cakes and deep-fried ice cream?
For many residents, a trip to the carnival’s an annual tradition. For the $5 admission, you can spend all day and night cruising the fair grounds. There’s groups of girls checking out the guys and catching up on mid-summer gossip. As day slowly dissolves to night, young lovers stroll the midway hand-in-hand.
At a Midwest carnival, tractor and truck pulls are very popular. A powerful truck or tractor drags a weighted sled down a dirt track. It’s not a sophisticated sport, but it’s fun to watch and very loud! The owner of the winning entry gets a prize, but more importantly, all his friends know he drives of the most powerful truck in town.
I shot this video to capture moments from a hot, humid July day, at the fairgrounds, just outside Butler, Pennsylvania.
A couple weeks ago, I had the opportunity to direct and photograph Steelers’ coach, Mike Tomlin in the new TV spots for “The Extra Mile Foundation.” This worthwhile, non-profit organization gives urban kids the chance to attend a school where they learn in an atmosphere that’s free from drugs and violence.
When you’re the head coach of the Pittsburgh Steelers, every hour of your day is blocked out with meetings, interviews and other activities. Mike Tomlin was kind enough to give us 3 hours of his time. Producer and production coordinator, Judy Gurchak and I worked our entire shoot day around Tomlin’s schedule.
Stan Muschwek wrote and produced the new ad campaign. Stan thinks in visual terms, so he wrote scripts that didn’t require our featured talent to rush through his on-camera and voice-over copy. Stan and I have worked together on numerous projects for the past 25 years.
I shot all the 1080P “B-Roll” footage in actual working classrooms. For these scenes, I used Panasonic’s new GH2 camera. It makes great images and it’s small enough that kids don’t feel intimidated having it close to their face. Gaffer, Ted Weigand used small LED soft panels, bounce cards and battery powered LED fill lights to minimize classroom disruptions.
I shot Mike Tomlin’s on-camera segments with Panasonic’s new AF100, HDTV camera. I also photographed the still images for The Extra Mile Foundation’s 2011 print campaign. It feels great to give your time to such a worthwhile cause.
Usually, I’m shooting nice things… like attractive people eating food while smiling. This project was completely different.
John Brabender (BrabenderCox) is one of the country’s top political media consultants. For over 10 years, he and I have worked together on many successful TV campaigns. John rarely thinks anywhere near the box, much less inside it.
John gave us less than a week to put together this project. Fortunately, I remembered scouting an old abandoned manufacturing building in Pittsburgh for a previous TV campaign. My producer and production coordinator, Judy Gurchak and I re-scouted the location and it was still available.
I set up most of the shots to take advantage of a wall of windows that lined the North side of the building. This became my primary light source, supplemented with 1200 and 2500 watt HMI’s. We used smoke machines to add atmosphere and distance to the scenes.
Growing up in Florida, I hate shooting in freezing cold weather. For the entire shoot day, our set temperature was less than 50ºF. We couldn’t use heaters because they quickly dissipated the smoke. Our shoot day was overcast and snowy, so we knew we would loose useable window light by 4:30PM.
I used a motorized, 7′ slider for the marching feet scenes and all ground level camera angles. This slider can smoothly move 25 pounds of camera.
I photographed everything with a RED Epic M using the standard set of RED primes including the 300mm telephoto. Every scene (except the fall) was shot at 30fps for playback at 23.98.
Thad Christian at Pittsburgh’s Phenomenom Post did an amazing job editing and grading the 90 second spot in less than 2 days including numerous effect shots. Michael Goodis handled original sound design. Steve Parys worked his butt off as my assistant director. Without the talents of gaffer, Ted Wiegand and scenic designer, Rich Schutte none of this would have been possible in such a short amount of time.
PLEASE: No political comments… I’ve uploaded this commercial to show an interesting assignment and production treatment… it’s not intended to be a political statement.
Director, Glenn Przyborski and artist, Burton Morris
Burton Morris has created major works for CocaCola, The Academy Awards, Heinz, the Olympics, Absolut Vodka and hundreds of other corporations. Although he’s an internationally famous artist, Burton Morris’ is also one of the nicest guys you’ll ever meet.
He just completed a fun project for Eat ‘n Park Restaurants. Burton created his own original art to celebrate the 25th anniversary of “Smiley,” Eat ‘n Park’s corporate cookie icon. This summer, Burton Morris’ original artwork will adorn t-shirts, coffee mugs and other items that are sold in Eat ‘n Park’s chain of over 80 restaurants.
Sorry, I can’t reveal Burton’s original “Smiley” artwork, ’till it’s unveiled in June!… stay tuned!
